That series of rumbles you heard coming from Cupertino last week was the result of the release of Final Cut Pro X, a complete rethinking of Apple’s professional video editing application. While many prosumers were intrigued by the latest Final Cut, a significant number of professionals working in the movie, TV, and post-production industries were anything but impressed. To help separate facts, fiction, and fear, I asked Final Cut Pro pro Gary Adcock to join my on this episode of the podcast.
Download Episode #250
AAC version (20.1 MB, 40 minutes)
MP3 version (19.2 MB, 40 minutes)
We’ve covered many sides of Final Cut Pro X. Take a look at
Gary’s first look at the application and
his review, Serenity Caldwell’s
How Apple Re-cut Final Cut Pro for the Better, and Ted Landau’s
Troubleshooting Final Cut Pro X.
Gary Adcock is a Chicago-based consultant who specializes in building workflows for film and television productions. He is the founder and past president of the Chicago Final Cut Users Group, Tech Chairman of the NAB Director of Photography Conference, and a member of the I/A Local 600/ Camera Guild Training Committee, teaching tapeless production techniques and workflows to professional camera operators. His writings and musing can be found at his
To subscribe to the Macworld Podcast simply click
here. Or you can point your favorite podcast-savvy RSS reader at:
You can find previous episodes of our audio podcasts at
Macworld’s podcasting page.
Have any feedback on this podcast? Send regular podcast host Christopher Breen an
e-mail; audio comments in the form of an AAC or MP3 file are particularly welcome. You can also leave us a message at 415/520-9761 if you’d like to have your comments included in a future podcast.
This episode is sponsored by