Turn it up to 11: How and when to use OS X’s advanced audio controls
By Topher Kessler
You can use a Mac for a long time without ever adjusting its audio settings. As with so many things in OS X, the default settings often work just fine with little (if any) intervention on your part: Your iTunes music plays through your headphones, and the built-in microphone works when you need it.
However, as with so many other things in OS X, you can tweak its audio settings—in the Output and Input tabs of the Sound pane of System Preferences—in all sorts of interesting ways if you wish. Doing so may be required, useful, or just fun to mess around with, depending on your individual case. Here’s a general guide to some of OS X’s more advanced audio-configuration options.
Sound menu and System Preferences
In typical use, the most you’ll have to do to your Mac’s audio settings is to change the volume and perhaps adjust the gain of the built-in mic in whatever app you’re using at the moment. However, if you use additional audio interfaces regularly, you might need to make more adjustments to those settings.
First, you have the standard Sound item on the OS X menubar, next to those for Wi-Fi, date, battery, Bluetooth, and so on. Normally, you can just click on this menubar item to get a slider that lets you change the system volume. But if you hold the Option key before opening this menu, you’ll get more, well, options. On the drop-down, you’ll see a list of your available input and output interfaces. This list can provide a convenient way to quickly switch from, say, listening through your headphones to playing sounds through a USB interface that connects to a home-theater system.
In addition to this menu, the Sound system preferences pane gives you access to controls that are useful when you have multiple audio devices attached. On the Sound Effects tab, for example, you can choose which device should play system alerts. While you might consider using the Selected Output Device (the default option) for playing sound effects, you might not want to do so if you’ve connected your Mac to a large home-entertainment system for music out of; in that case, a warning Ping, Pop, or Purr sound could be intrusive. To get around this, you can use the Sound Effects tab to make these sounds play only on the system’s internal speakers or headphones, while other audio is piped out the USB port to your home theater.
Audio MIDI Setup
While these features so far can be convenient, they are just the basics of Apple’s audio configuration features. Beyond them, you will have to look to a tool in your Utilities folder called Audio MIDI Setup. In this program, you will have far more control over the audio configuration of your system, and not only change audio formats, but also control the output for speakers, assign different channels to different speakers, and combine separate audio devices into one.
Your Mac’s audio devices should all be listed in the left-most column in Audio MIDI Setup, and clicking each will give you a number of configuration options for the input and output channels it hosts. In the configuration, you should have options for selecting the audio format (sampling rate, channel number, and bit-depth of the signal), as well as the options for specifying relative channel output levels. In some devices these options will be configurable, and in others they will not.
Audio MIDI Setup is also helpful in creating aggregate and multi-output devices from your available audio interfaces. Let’s say you have an Airplay device plus a USB, ethernet, or Firewire audio interface attached to your Mac, and you’d like to play the same audio on more than one of them. You can do so by creating an aggregate or multi-output device that will treat two or more of these separate physical interfaces as a single virtual one.
To do this, click the plus button under the device list in Audio MIDI Setup, and select the option to create either an Aggregate or Multi-Output device. (Aggregate devices support input and output, while Multi-Output devices support output only.) You can double-click the resulting device in the app’s left pane to give it a name. You can then select it to see a list of the available interfaces that can be included in the aggregate device.
With your Aggregate or Multi-Output device configured, you can select it for use either as the main system audio device, or for use in specific programs such as GarageBand.
Audio MIDI Setup also lets you configure audio channels for your devices. Whether you are using those devices separately or in aggregate configurations, your Mac will likely have more than one channel available for input and output. Using the Audio MIDI Setup app, you can configure your devices to handle these different audio channels.
When you select an audio device, or expand an aggregate device to select a sub-device included in it, you should see a list of its supported channels in the right pane. You can use the sliders to change the relative volume of each of these channels and balance them as you wish.
You can also change channel assignments for the speakers you have configured. When you select a device that supports audio output, you can click the Configure Speakers button at the bottom-right of the Audio MIDI Setup window, and then choose from either Stereo or several types of Multichannel speaker setups, some of which may be available as configuration options for your system.
While surround sound systems (such as 5.1, 6.1, and 7.1 configurations) will require hardware that can manage them, with aggregate and multi-channel devices you should be able to set up Quadraphonic, Hexagonal, or Octagonal speaker setups, which will split your standard stereo evenly between four and eight configured channels. Even though OS X will assign a default channel to each speaker, you can use the visual interface to change those assignments. Simply click a speaker to hear the system play a test sound through it, and then choose the desired channel for it from the popup menu under the speaker.
As I say, many of you may never to take advantage of OS X’s more advanced audio controls. But, as always, it’s nice to know they’re there when you need them.
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